On appropriation and appreciation of Yoga
I grew up with yoga, not in a studio with polished floors and curated playlists, but in the heartbeat of India, where it lived in everyday breath.
I grew up surrounded by it.
Yoga was in our mornings, in our classrooms, in the quiet hum of my father chanting OM before the world stirred awake.
It wasn’t something to schedule. It was simply a way of life.
Years later, a well-known person from the city asked me if my training in Rishikesh the yoga capital of the world was “any good,” because, to him, it seemed too commercial. Rishikesh. A city filled with seekers, yes but mostly Western ones.
People who looked like him. People who fly in, extract what they want, stamp their name on it, and then question my roots in the very place their practice tries to imitate.
This is what colonization does. It confuses the colonized into believing their own knowledge might not be legitimate enough.
But I didn’t come to yoga through a teacher training certificate.
I came to it through life through blood, through repetition, through culture. I came to it through watching Indian women in sarees and salwars stretch and breathe, not in Lululemon leggings, but in wisdom passed down through generations.
Yoga wasn’t something we branded.
It wasn’t a business model.
It wasn’t filtered through apps and slogans.
It was sacred. It is sacred.
So when I see yoga in the West fragmented, rebranded, whitewashed….
I feel the weight of what’s been taken.
It’s not just the practice, but the erasure.
The absence of Indian voices, Indian faces, Indian teachers in a space that was born from us.
Do you ever ask yourself why?
Why don’t you see more Indian yogis represented?
Why is traditional yoga too “slow,” too “spiritual,” too “cultural” to be popular?
Why must it be modified to be palatable?
This version of wellness , detached from community, from dharma, from sacredness triggers something deep in those of us who carry the intergenerational wounds of colonization.
It isn’t just about yoga.
It’s about memory. Identity. Loss.
I stepped away from teaching yoga for a while.
Not because I stopped believing in it, but because I needed to return to it, not through the lens of how the West wanted it from me,
but through the eyes of my ancestors,
through the stillness of my own soul,
through a decolonized lens that honors where I come from, not just what I can offer.
Yoga isn’t mine to sell.
It’s my inheritance to protect.
Reading this made me think back to the summer I spent in Rishikesh, where I first attended a yoga retreat that claimed to be “authentic.” The teacher emphasized the philosophical roots, chanting Sanskrit verses and explaining the yamas and niyamas before any asana. Yet later, back home, I noticed how many studios marketed “Yoga Fusion” classes that borrowed the same poses but stripped away the cultural context, turning them into purely fitness routines https://www.theguardian.com/australia-news/2025/jun/30/australian-influencers-warned-after-several-accounts-inadvertently-promote-offshore-bookmakers-ntwnfb I tried to bring a bit of that deeper awareness into my own practice, adding a few minutes of breathwork and a short reflection on the intent behind each pose. It felt richer, though I sometimes worry I’m overstepping by interpreting traditions I’m not fully immersed…
Reading this really brought me back to the first yoga class I took in a small studio on the outskirts of town, where the instructor was a third‑generation practitioner of a traditional lineage. She would start each session with a brief story about the origins of the pose, explaining how the movement was once a devotional offering. I remember feeling a little embarrassed when a friend from a different cultural background asked if we could “just make it up” for the sake of a workout https://www.theguardian.com/australia-news/2025/jun/30/australian-influencers-warned-after-several-accounts-inadvertently-promote-offshore-bookmakers-ntwnfb The teacher gently corrected us, emphasizing that appreciation means honoring the practice’s roots while still allowing personal growth. That moment taught me that borrowing without respect can feel hollow, but engaging with curiosity and…
Your post made me think back to the first time I tried a “yoga fusion” class at a community center. The instructor was a well‑trained yogi, but she blended in Bollywood dance moves and used a soundtrack full of Western pop songs. At first I loved the energy, yet as the session went on I felt something was missing – the deeper breathwork and the meditative focus that I had experienced in a more traditional setting https://payid.com.au/ It reminded me of the fine line you described between appreciation and appropriation: borrowing elements can be enriching, but when the cultural roots are stripped away, the practice loses its soul. I left that class feeling a bit conflicted, wondering whether I was…
Reading your thoughts on appropriation versus appreciation sparked a memory from a yoga retreat I attended in Rishikesh a few years back. I was a complete outsider then—no prior practice, just curiosity and a desire to understand the roots of the discipline. The teachers emphasized the lineage, the chants, the philosophy behind each asana, and they invited us to honor the tradition by learning the stories behind the poses, not just the physical stretch https://oma.org.au/ Later, when I started teaching back home, I struggled with the line between sharing what I’d learned and unintentionally diluting it. One instructor reminded me that true appreciation means listening more than speaking, and that even small gestures—like acknowledging Sanskrit names or the cultural context—can…